CoUNTess is always interested in where the money is being spent when it comes to promoting what artists are hot, sizzling, current and most importantly "now". Art and Australia have released in time for holiday shopping a new coffee table hard cover book they call CURRENT, so we thought we would check it out after we read the exciting intro on their website.
Current: Contemporary Art from Australia and New Zealand is the first comprehensive survey of all that is cutting edge in Australian and New Zealand contemporary practice. In a landmark publication, the book features eighty artists, carefully chosen to best reflect the vibrancy of art of the moment. While Current could be seen as a hot list of contemporary taste in the tradition of Taschen’s Art Now, inclusivity is the book’s abiding theme. Current is also underpinned by scholarship with commissioned essays by the region’s leading writers and curators.
CoUNTess got to spend some time browsing the CURRENT 'Table of Contents' a list of the carefully chosen artists and discovered that the editors idea of comprehensive falls a little short when it comes to women artists. Inclusivity as an abiding theme of the book seems a bit far fetched in this regard as well. Its funny because at the CoUNTess offices we got talking about how "cutting edge" used to mean something was radical, operating outside the system. If this had been the case CURRENT would be full of women artists. We must have been thinking of the bleeding edge. Instead we consulted a common online dictionary and they all agreed that "cutting edge" is defined as being at the forefront, in the position of greatest advancement. That sounds like a pleasant place to be. Not that edgy at all?
It seems this publications editors and commissioned essayists of leading writers and curators didn't think it was worth noting that the majority of artists in the book are men, or explaining this phenomenon. This is what the numbers say: Women 28.75%, Men 67.5%, Couple Collaborations 2.5%, Other Collaborations 1.25%